22. April 2016 · Comments Off on “Florynce ‘Flo’ Kennedy: The Life of a Black Feminist Radical” · Categories: Uncategorized

Randolph April 27 Flyer

Please join the Hemispheric South/s Research Initiative for our newly rescheduled first event of Spring Quarter!

Sherie M. Randolph, UCSB’s Ella Baker Visiting Professor in the Department of Black Studies and Associate Professor of History and African American Studies at the University of Michigan, Ann Arbor, will discuss her recently published book:

“Florynce ‘Flo’ Kennedy: The Life of a Black Feminist Radical,”
on Wednesday, April 27 at 12:30pm in the Dolores Huerta Room in South Hall 1623.

The former Associate Director of the Women’s Research & Resource Center at Spelman College, she has received several grants and fellowships for her work, most recently being awarded fellowships from Emory University’s James Weldon Johnson Center and the Schomburg Center for Research in Black Culture.

Randolph’s book, Florynce “Flo” KennedyThe Life of a Black Feminist Radical (University of North Carolina Press, 2015), examines the connections between the Black Power, civil rights, New Left, and feminist movements.
We look forward to you joining us for this exciting event.
24. February 2016 · Comments Off on Letters from Langston: A Public Lecture and Reading · Categories: Uncategorized

Letters from Langston Feb 25 Flyer  (1)

Please join us on ThursdayFebruary 25 at 5:30PM at South Hall 2623 (The Sankey Room) as editors Evelyn Crawford and MaryLouise Patterson discuss their book Letters from Langston: From the Harlem Renaissance to the Red Scare and Beyond (University of California Press). The editors will share memories of “Uncle Lang,” their activist parents, and their meticulous compilation of the edition.

Guest presenters Geoffrey Jacques, Stephanie Batiste, Natasha O’Neill, and Christopher Williams will read passages from the collection of correspondences. Copies of the book will be available for purchase at the event. 

From the official press release: 

“Letters from Langston is a collection of unguarded and candid confidences—both personal and political—between American literary giant, and leading figure in the Harlem Renaissance, Langston Hughes and four of his closest African American friends, Louise Thompson Patterson, William L. Patterson, Matt N. Crawford, and Evelyn Graves Crawford. The four exchanged letters with Hughes for nearly forty years; three were important leftist political figures and active members of the Communist Party. Like Hughes, all were investigated and harassed by the F.B.I., and in the case of William L. Patterson, imprisoned for political reasons.
 
Letters from Langston begins in 1930 and spans the succeeding decades, ending shortly before Hughes’s death in 1967. The two couples share their lives of political activism and the everyday joys and sorrows of family life with their friend Langston. He, for his part, savors their affections, companionship, and support during his own struggles as an often-misunderstood ‘literary sharecropper.’ This distinctive volume of correspondence captures stories of friends and family, living in an era of uncertainty and sharing a vision of an idealized world—one without hunger, war, racism, and class oppression.
 
Evelyn Louise Crawford, a retired arts administrator and consultant, and MaryLouise Patterson, a pediatrician in clinical practice, are the daughters of Langston Hughes’s cherished friends… Hughes was a frequent guest in the homes of the two families and an ‘uncle’ to both girls who knew him from their respective childhood years in California and New York.”
26. February 2015 · Comments Off on Yoruba Spiritualities and Global Acts · Categories: Events, Uncategorized
Hemispheric South/s and the UCSB department of Theater and Dance announce the Yoruba Spiritualities and Global Acts Conference.
Tarrell McCraney’s award-winning play In the Red and Brown Water features characters who boldly embody the Yoruba gods.This conference explores the power of Yoruba cosmologies to heal historical trauma by connecting Black communities worldwide. The creative and scholarly offerings link black identity and cultural expression in Africa and the Americas, exploring and substantiating concepts of diaspora.

Yoruba Spiritualities and Global Acts-6

Schedule:

UCSBTheater/Dance West 1507

2 PM: FREE Opening performance (followed by Q&A with the artist): Silfredo La O Vigo’s unique brand of Afro-Cuban dancing seamlessly blends orichas, rumba, contemporary dance movement, and visual art.


The remaining events will all take place in the Multipurpose room,  

first floor, SRB.

4:30: Keynote Address by

Dr. Hershini Bhana Young (SUNY Buffalo), “The Vulnerability of Horizonality:

Wura-Natasha Ogunji’s ‘Will I Still Carry

Water when I am a Dead Woman?’”

 

5:30: Panel: “Orishas in Africa and the Americas”

-Dr. Roberto Strongman (Black Studies), “The Vodou art of Hector Hyppolite”

-Haddy Kreie (Theater/Dance), “”Slavery and the Emergence of Vodun:  Race, Trauma, Protection, and Healing in Spiritual Systems of Southern Benin”

-Hee-won Kim (Theater/Dance), “Where the Body Floats and the Laughter Stops: Liminal Space and Transgressive Bodies in In The Red and Brown Water and The Shipment”


6:30: Dinner Reception

Featuring a short Q&A with Shirley Jo Finney, Guest Director, UCSB production of In the Red and Brown Water


8:00: Attend opening night of In the Red and Brown Water (Hatlen Theater)


Conference Organizers: Dr. Christina McMahon, Dr. Stephanie Batiste, and Haddy Kreie

 

05. May 2011 · Comments Off on Black Performance Theory 2011 · Categories: Uncategorized

The Hemispheric South/s Research Initiative

Department of English, University of California at Santa Barbara

“BPT 2011 :: Hemispheres & Souths”

Black Performance Theory Conference, May 2011.

Participants (not in order pictured): Omi Osun Joni L. Jones, Matt Richardson, E. Patrick Johnson, Jeffrey McCune, Venus Opal Reese, N. Fadeke Castor, Antonio Cuyler, Monica Ndounou, Anita Gonzalez, Thomas DeFrantz, Anna Scott, Anna Bean, Harvey Young, Koritha Mitchell, Christina McMahon, Melissa Blanco Borelli, Rashida Braggs, Hershini Bhana Young, Uri MacMillan, Sarah Jane Cervenac, Grisha Coleman, Yolanda Covington Ward, Raquel Monroe, Stephanie Batiste, Kristie Soares, Jayna Brown

 

The Hemispheric South/s Research Initiative is very pleased to host the 2011 meeting of the Black Performance Theory working group, “BPT 2011 :: Hemispheres & Souths” happening May 6-7, 2011 at the University of California, Santa Barbara. At each meeting, a small cadre of scholars and practitioners share work in experimental sessions that have included dance performances, play readings, poetry and solo performance work, film screenings, flash animation presentations, and the creation of group improvisations. A space for active Witnessing allows audience members to engage productively with Participants’ contributions.

This year’s overarching theme draws inspiration from contemplations of black meetings and crossings in hemispheric and global souths. BPT:: “Hemispheres & Souths” invokes the vast and broad oceanic and land-based circulations of black performance. The 2011 working group seeks to link the translations, transmigrations, transnationalisms, and diasporisms implied by the notions of a Hemispheric South and a Global South to performance as practice and to nuances of race as performance. Participants’ work constitutes a provocation that suggests unexpected routes of diaspora across “Hemispheres” and “Souths.” Presentations can be partially literary, but contain an element of performance.

In preparing an offering for the group this year, Participants take up the overarching concept of a cardinal point like “South” or “West,” “East” or “North” and work it through a combination of texts and/or scholarly works. For example, presenters might pick an imaginary place like the “dirty dirty South” and theorize it through Appurandi, Wyclef Jean, and Zora Neale Hurston to offer a hybrid performance of black social dance circa 1920 and 1990. Other imaginative structures might include “Up South,” “Down South,” “Southsides,”  “Pacific Rims,” “Atlantic Rims,” “Black Cities,” “Black Wests,” “I(s)-lands, ”“Promised Lands”… etc . to theorize Black “Hemispheres & Souths” in performance.

Participants work in teams to construct creative presentation formats beyond the traditional conference-style reading of prepared papers. In this way BPT:: “Hemispheres & Souths” facilitates live, creative collaborative adventures in theory and performance.

The Black Performance Theory working group is a collective of scholars working on the theory, history, and practice of African American expressive cultures. The experience of writing and performing theory links scholars and scholar/performers in unique modalities of conversation, debate, and collaboration. Diverse disciplinary perspectives provide an unbounded look at performative commonalities of African diaspora including, but not limited to, gospel music, concert dance, hip hop music, black church oratory, architecture and public space theory, theater historiography, and queer cultures. We strive for vibrant critical discussion of methodologies, paradigms, and approaches to theorizing black performance.

This eighth invitation-based convening of BPT elaborates an exciting tradition of innovation inaugurated by Thomas DeFrantz and Richard Green in 1998. Working Group Meetings have included:

  • “Race and Representation,” organized and hosted by Richard Green, Duke University, 1998;
  • “African American Performativity,” Thomas DeFrantz, Massachusetts Institute of Technology, 2000;
  • “Black Performance Theory: Theorizing as if Race Matters,” DeFrantz and Green, Stanford University, 2002;
  • “De/Cipherin’ Practices,” Anna B. Scott, UC Irvine, 2003;
  • “Contingent Geographies of Blackness,” Ananya Chatterjea, University of Minnesota, 2004;
  • Crossroads in Global Performance,” Annemarie Bean, Williams College, 2006;
  • “Black Performance Theory,” E. Patrick Johnson, Northwestern University, 2007; •”Afrosonics: Grammars of Black Sound,” Daphne Brooks and DeFrantz, co-sponsored by the Afro-American Cultural Center, African American Studies and the World Performance Project, Yale University, 2009.

 

BPT Schedule

Hemispheres and Souths

May 6-7, 2011

Friday May 6, McCune Room
9:00-9:30 — Continental Breakfast

9:30-10:30 — Welcome and Introductions

10:30-11:20 — “The Black Queer South: A Performance in Three Movements,”  Omi Osun Joni L. Jones, Matt Richardson, and E. Patrick Johnson

11:25-12:15 — “Da Bashment, Da Breath, Da Basement: Spheric Positions of and/from the Bottom,” Jeffrey McCune, Venus Opal Reese, N. Fadeke Castor

12:15-1:30 — Lunch

1:30-2:20 — “Revising Representation: The Paradox of Language and Performance of Southern Black Characters,” Antonio Cuyler, Monica Ndounou, Anita Gonzalez

2:25-3:15 — “easy-n-greasy: dirty south keeps rollin’ along,” Thomas DeFrantz & Anna Scott

3:30-4:20 — “Going Home: Memory, Performance, and All of Africa,” Anna Bean, Harvey Young, Koritha Mitchell

4:20-5:30 — Profession and Research :: Dream Projects

Saturday May 7, Loma Pelona Room

9:30-10:00 — Continental Breakfast

10:00-10:50 — Profession and Research :: Workplace Climate

10:55-11:45 — “The Search for True North,” Christina McMahon, Melissa Blanco Borelli, Rashida Braggs

11:45-1:00 — Box Lunch

1:00-1:50 — “the embrace of dis/orientation: errant souths and crooked dreams,” Hershini Bhana Young, Uri MacMillan, Sarah Jane Cervenac

1:55-2:45 — “Transformative Gestures in Southern Rotation,” Grisha Coleman, Yolanda Covington Ward, Raquel Monroe

2:45-3:00 — Break

3:00-3:50 — “Westworlds,” Stephanie Batiste, Jayna Brown

3:50-5:00 — Profession and Research :: Promotion & Tenure

5:00-5:30 — BPT futures

6:00-8:30 — Dinner

BPT Working Group – Selected Responses 2011:
I love the organic, critical, rich, and dynamic energy of Black Performance Institute: Hemispheres and Souths! It is a blessing. Not only master minds, but folks putting bodies into motion and performing for the GODS! Wow.
Only at Black Performance Theory 2011, would the conference end with scholars dancing to Tupac n Dr. Dre’s “California Love!” The conference began with a critical performance of the constraints and conflicts created through spiritual/familiar conservatism, ending with the “freedoms” possible through and because of performance. Performance imagines and leads to “heavenly space impossible here.”

–Jeffrey McCune

 

I had a great time at BPT this year. The field is in such good hands with such wonderful folks coming up and through.

–E. Patrick Johnson

 

Dear Stephanie,  I want to thank you for an incredible weekend. Not only was I intellectually edified, I also very much so felt affirmed. I look forward to attending future BPTs.

–Antonio C. Cuyler

 

Thank you for organizing a great BPT! I had fun. Thank you for your time and energy. Both are greatly appreciated.

–Harvey Young

 

Thank you so much for welcoming me into the group and for facilitating and nurturing this wonderful space.  I am deeply grateful for your generosity and for all of the good learning.

–Sarah
Jane Cervenac

 

That was a really fun, inspiring and productive BPT. Thank you for all your planning and fundraising. We really appreciate it and you! And, I look forward to the opportunities that come out of this meeting as well as our future BPT endeavors.

–Rashida K. Braggs

 

Stephanie,  Thank you much for all of your hard work and making us feel welcome at BPT/UCSB!  I am very inspired and excited to meet so many scholar/artists working in this field.  I look forward to keeping in touch. 

–Monica Ndounou

Since 2000, each event has received funding and administrative support from SLIPPAGE: Performance|Culture|Technology, the research group founded by Thomas DeFrantz at MIT.  
The group functions as a site for intellectual creativity, for communal consideration of foundational concepts in performance theory, and as a much-needed opening into the space of performance discourse as it might be inflected black.